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BIBLIOGRAPHIE SYSTEMATIQUE DES PERIODIQUES EN MUSIQUE ET TECHNOLOGIE

Réalisée par Aline Hufschmitt
Version juin 2001
Groupe de recherche MINT/OMF de la Sorbonne, Paris IV

PROCEEDINGS OF THE ICMC / THE ELECTRONIC MUSIC REVIEW / THE COMPUTER MUSIC JOURNAL / THE LEONARDO MUSIC JOURNAL

PROCEEDINGS OF THE ICMC
(International Computer Music Conference)

Ces conférences sont considérées comme faisant partie des ICMC proceedings par l'ICMA (International Computer Music Association)

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1974 - East Lansing, Michigan (USA) Michigan State University (David Wessel)
1975 - Champaign/Urbana, Illinois (USA) University of Illinois (James Beauchamp, Herbert Brün, John Melby)
1976 - Cambridge, Massachussets (USA) Massachussets Institute od Technology (Barry Vercoe)

1977 - San Diego, California (USA) University of California at San Diego (Jean-Charles François, Robert Gross)
1978 - Evanston, Illinois (USA) Northwestern University (Peter Gena, Gary Kendall)
1980 - New York City (USA) Queens College (Hubert Howe)
1981 - Denton, Texas (USA) North Texas State Unversity (Larry Austin)
1982 - Venedig (Italy) Bienalle Venice (Alvise Vldoin, Nicoletta Polo)
1983 - Rochester, New York (USA) Eastman School of Music (Allan Schindler)
1984 - Paris (France) IRCAM : Institut de recherche et Coordination Acoustique/Musique (David Wessel)
1985 - Burnaby (Canada) British Columbia Simon Fraser University (Barry Truax)
1986 - Den Haag (Netherlands) Royal Conservatory (Paul Berg)
1987 - Champaign/Urbana, Illinois (USA) University of Illinois (Sever Tipei, James Beauchamp)
1988 - Köln (Germany) GIMIK (Clarence Barlow)
1989 - Colombus, Ohio (USA) Ohio State University (David Butler, Thomals Wells)
1990 - Glasgow (Scotland - United Kingdom) University of Glasgow (Stephen Arnold)
1991 - Montréal (Canada) McGill University (Bruce Pennycook)
1992 - San Jose, California (USA) San Jose State University (Allen Strange)
1993 - Tokyo (Japan) Waseda University (Sadamu Ohteru)
1994 - Århus (Danemark) DIEM : Danish Institute of Electroacoustic Music (Wayne Siegel)
1995 - Banff (Canada) Banff Centre for Arts (Kevin Elliot)
1996 - Hong Kong (China) Hong Kong University of Science and Technology (Lydia Ayers, Andrew Horner)
1997 - Thessaloniki (Greece) Aristote University of Thessaloniki (Thanassis Rikakis)
1998 - Ann Arbor (USA) University of Michigan (Mary Simoni)
1999 - Beijing (China) (Josef Fung)
2000 - Berlin (Germany)
2001 - Havana (Cuba)

THE ELECTRONIC MUSIC REVIEW

Electronic Music Review No. 1 - January 1967
Electronic Music Review No. 2 / 3 - April-July 1967 : Repertoire International Des Musiques Electroacoustiques, Compiled By Hugh Davies
Electronic Music Review No. 4 - October 1967
Electronic Music Review No. 5 - January 1968
Electronic Music Review No. 6 - April 1968
Electronic Music Review No. 7 - July 1968

THE COMPUTER MUSIC JOURNAL

Volume 1, No. 1 - Spring 1977
Volume 1, No. 2 - Summer 1977
Volume 1, No. 3 - Fall 1977
Volume 1, No. 4 - Winter 1977
Volume 2, No. 1 - Spring 1978
Volume 2, No. 2 - Summer 1978
Volume 2, No. 3 - Fall 1978
Volume 2, No. 4 - Winter 1978
Volume 3, No. 1 - Spring 1979
Volume 3, No. 2 - Summer 1979
Volume 3, No. 3 - Fall 1979
Volume 3, No. 4 - Winter 1979
Volume 4, No. 1 - Spring 1980
Volume 4, No. 2 - Summer 1980
Volume 4, No. 3 - Fall 1980
Volume 4, No. 4 - Winter 1980
Volume 5, No. 1 - Spring 1981
Volume 5, No. 2 - Summer 1981
Volume 5, No. 3 - Fall 1981
Volume 5, No. 4 - Winter 1981
Volume 6, No. 1 - Spring 1982
Volume 6, No. 2 - Summer 1982
Volume 6, No. 3 - Fall 1982
Volume 6, No. 4 - Winter 1982
Volume 7, No. 1 - Spring 1983
Volume 7, No. 2 - Summer 1983
Volume 7, No. 3 - Fall 1983
Volume 7, No. 4 - Winter 1983
Volume 8, No. 1 - Spring 1984
Volume 8, No. 2 - Summer 1984
Volume 8, No. 3 - Fall 1984
Volume 8, No. 4 - Winter 1984
Volume 9, No. 1 - Spring 1985
Volume 9, No. 2 - Summer 1985
Volume 9, No. 3 - Fall 1985
Volume 9, No. 4 - Winter 1985
Volume 10, No. 1 - Spring 1986
Volume 10, No. 2 - Summer 1986
Volume 10, No. 3 - Fall 1986
Volume 10, No. 4 - Winter 1986
Volume 11, No. 1 - Spring 1987
Volume 11, No. 2 - Summer 1987
Volume 11, No. 3 - Fall 1987
Volume 11, No. 4 - Winter 1987
Volume 12, No. 1 - Spring 1988
Volume 12, No. 2 - Summer 1988
Volume 12, No. 3 - Fall 1988
Volume 12, No. 4 - Winter 1988

Volume 13, No. 1 - Spring 1989 Clara Rockmore
Volume 13, No. 2 - Summer 1989 Object-Oriented Software
Volume 13, No. 3 - Fall 1989 Neural Nets and Connectionism - 1
Volume 13, No. 4 - Winter 1989 Neural Nets and Connectionism - 2
Volume 14, No. 1 - Spring 1990 New Performance Interfaces - 1
Volume 14, No. 2 - Summer 1990 New Performance Interfaces - 2
Volume 14, No. 3 - Fall 1990 Analysis/Synthesis, Pitch Detection 1
Volume 14, No. 4 - Winter 1990 Analysis/Synthesis Methods and LISP Programming
Volume 15, No. 1 - Spring 1991 Interactive Algorithmic Composition
Volume 15, No. 2 - Summer 1991 Performance Rules and the CAMP Project
Volume 15, No. 3 - Fall 1991 IRCAM Musical Workstation
Volume 15, No. 4 - Winter 1991 Dream Machines: John Pierce at 80
Volume 16, No. 1 - Spring 1992 Advances in AI for Music - 1
Volume 16, No. 2 - Summer 1992 Advances in AI for Music - 2
Volume 16, No. 3 - Fall 1992 Computer Music Systems
Volume 16, No. 4 - Winter 1992 Physical Modeling of Musical Instruments - 1
Volume 17, No. 1 - Spring 1993 Physical Modeling of Musical Instruments - 2
Volume 17, No. 2 - Summer 1993 Synthesis and Transformations
Volume 17, No. 3 - Fall 1993 Music Representation and Scoring - 1
Volume 17, No. 4 - Winter 1993 Music Representation and Scoring - 2
Volume 18, No. 1 - Spring 1994 Music Representation and Scoring - 3
Volume 18, No. 2 - Summer 1994 Composition and Performance in the 1990s - 1
Volume 18, No. 3 - Fall 1994 Composition and Performance in the 1990s - 2
Volume 18, No. 4 - Winter 1994 The ZIPI Music Interface Language
Volume 19, No. 1 - Spring 1995 Synthesis and Transformation
Volume 19, No. 2 - Summer 1995 Artifical Intelligence and Music
Volume 19, No. 3 - Fall 1995 Synthesis and Transformation
Volume 19, No. 4 - Winter 1995 Sound Spatialization and Spatial Perception
Volume 20, No. 1 - Spring 1996 20th Anniversary Issue: The State of the Art
Volume 20, No. 2 - Summer 1996 Bringing Digital Music to Life
Volume 20, No. 3 - Fall 1996 The Search for Musical Constructs
Volume 20, No. 4 - Winter 1996 Accomplishments and Challenges
Volume 21, No. 1 - Spring 1997 Composition and Performance in the 1990s - 3
Volume 21, No. 2 - Summer 1997 Synthesis and Transformation
Volume 21, No. 3 - Fall 1997 Machine Tongues: Nyquist
Volume 21, No. 4 - Winter 1997 Modeling Analog Synthesis
Volume 22, No. 1 - Spring 1998 New Performance Interfaces
Volume 22, No. 2 - Summer 1998 Nonlinear Systems
Volume 22, No. 3 - Fall 1998 Physical Modeling of Musical Instruments
Volume 22, No. 4 - Winter 1998 Dancing the Music
Volume 23, No. 1 - Spring 1999 Modeling Meter and Harmony
Volume 23, No. 2 - Summer 1999 Compositional Processes
Volume 23, No. 3 - Fall 1999 Research and Development at IRCAM
Volume 23, No. 4 - Winter 1999 Tonal Analysis and Genetic Techniques
Volume 24, No. 1 - Spring 2000 Expressive Deviations
Volume 24, No. 2 - Summer 2000 New Implementations of Electroacoustic Classics
Volume 24, No. 3 - Fall 2000 Winners of the Bourges Software Competition

THE LEONARDO MUSIC JOURNAL
Journal of the International Society for the Arts, Sciences and Technology, Pergamon Press, Oxford

Leonardo Music Journal Volume 1 No. 1 - 1991
Leonardo Music Journal Volume 2 No. 1 - 1992
Leonardo Music Journal Volume 3 - 1993
Leonardo Music Journal Volume 4 - 1994
Leonardo Music Journal Volume 5 - 1995
Leonardo Music Journal Volume 6 - 1996
Leonardo Music Journal Volume 7 - 1997
Leonardo Music Journal Volume 8 - 1998
Leonardo Music Journal Volume 9 - 2000